During World War II, drag shows and cross-dressing performances became a popular form of entertainment for both U.S. and British troops, particularly as a way to boost morale in the midst of the hardships of war. While these performances were not part of official military culture, they were embraced in military camps, bases, and recreation areas as a means of lightening the mood and offering soldiers a form of escape from the stresses of combat.
The phenomenon of drag shows during World War II can be seen in the context of the broader wartime culture, where soldiers often sought entertainment and distractions. In the U.S. military, troops stationed abroad were frequently exposed to a range of live performances, including musical revues, vaudeville shows, and comedic performances. One of the most famous examples of drag performances was in the form of USO (United Service Organizations) shows, which were held to entertain soldiers. Some of these performances featured male soldiers dressed as women, creating comedic situations or simply entertaining the troops with elaborate costumes and playful performances.
In Britain, drag shows were also part of the entertainment culture for troops. Some soldiers, particularly those in the British Army, participated in amateur performances in which men would dress up as women, often in exaggerated, humorous ways. These performances could include singing, dancing, or skits, and were often held in military canteens or theaters.
While these performances were primarily meant to entertain and provide relief from the war's grim realities, they also reflected a certain level of gender fluidity and playfulness with gender norms. The humor of these drag shows, combined with the camaraderie among soldiers, helped to create a sense of unity and morale during difficult times. It was not uncommon for soldiers to look forward to these performances as a highlight of their time away from the frontlines.